Strawberry Invocations

poetry by alecia
14 April 2002
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i.

 
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Life is short, eat dessert first --

 
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at dawnlight, sooner.

 

lisa: I like the way you changed this line. Much more evocative.

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Strawberry between your teeth,

 

lisa: Joining what were once two stanzas, both here and in the third section, works well for this poem. The parallels and connections between the different things going on in this scene are more natural and flowing.

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held, swallowed deliberately,

 

lisa: Not sure about the word "deliberately" in this line. Its main purpose is to join this line and the next, right? Maybe you could move it down like this:

held, swallowed
deliberately, the way you circled
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the way you circled

 
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your tongue soft and definite,

 
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exploring one nipple,

 
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tasting my body, skin,

 
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strawberries, the blush

 

lisa: LOVE these last three lines.

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and sugar

 
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of each on each.

 
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ii.

 
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Find strawberries. Halve,

 
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then quarter carefully,

 
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layer them in sugar.

 
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The juice will firm to syrup.

 
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And now trust me on

 
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a teaspoon-dash of balsamic

 
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and blackpepper dusting.

 
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Fold well together for

 
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a recipe

 
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                  of balance.

 
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Spice-flecks nip gently

 
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at the berry edges,

 
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softening the geometric

 
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syntheses of fruit and sweet,

 
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while rich amber curls

 
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into red and white angles,

 
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maturing in the bowl

 
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to slow golden pink -- like

 
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fresh familiar kisses --

 

lisa: I had to read it a couple of times to notice, but this line seems to get at one of the central themes of the parellels in this poem-- a new way of looking at a familiar food, a new way of looking at a familiar person/relationship.

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ripened, new, complex.

 
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iii.

 
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I returned inspired

 
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to eat strawberries --

 
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on my walk, the sky

 
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blossomed pink (a pink

 
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that sang like fruit),

 
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burned out ashy

 
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as sun kindled

 
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treeline and slid down

 
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to the other side of the world.

 
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So I sliced small berries

 
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into halves, found

 
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pale triangles and

 
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traced white ribs

 

lisa: Using the word "ribs" here brings us right back to the erotic encounter without any unnecessary words.

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from heart to edge.

 
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Each pink recalled

 
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dusky sky and skin,

 

lisa: The sense here of being overcome by the power of a physical memory is just awesome.

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the dawnlight when we first

 
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ate strawberries together

 
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on the other side of the world.

 

lisa: I'm not sure "other side of the world" is a strong enough line to repeat twice, or to end the poem on. Is there a more subtle way you could word the same idea? Like maybe continuing the idea about how it's light there when it's dark here (since there's so much sun rising and setting in this poem)?

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