Morning, a gray hair |
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Leather coats, loose bodies, dry hands gripping sweaty money. |
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We, these strangers, jive like static, flyaway and tangled, |
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hunkered down over lists in the chilly supermarket. |
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Thank god I have a you to come home to because I have nothing |
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intact, nothing unified, the day is streaked with doubt. |
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Tell a man to buy bread, to stand in line, to care about moving up, |
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and he'll do it. We slouch, clutching our bottles of dye and sealer, |
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their neon girths so sterile, so distant. How do you kill something |
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like an overgrown alligator, deep in water, from the shore? |
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Boys with rifles pace the drab banks cracked with winter drought, |
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the mutt in the truck raises hackles, the brown vinyl seats dusted gray, |
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the smell of bleach, the windless heat, old baling twine colorless and |
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frayed like a live wire, |
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their boots printing cuneiform in the flaking stucco, then |
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the chrome/blond flash, lightning, the slap and hiss of water, a stain |
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oils to the surface, a silver zero widens, a single kinetic curse: |
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metal. |
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Each of the shoppers feels the pressure of timing: |
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This is the last, She'll call to check, If I don't they'll leave. |
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Thank god I have you to come home to because I have a nothing |
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that keeps me from making even the smallest smalltalk |
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when a clerk mumbles, snapping gum, eyeing a white line |
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on the brown hand where the ring was, "Think it's gonna rain?" |
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Any day now, |
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any day. |
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Content © copyright 2002 by Sarah Elizabeth Scheckter. All rights reserved.